And if You re Willing to Play the Game Coming Around Again

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Whether you're a passionate fan of plays and musicals, an opera lover, or a more casual attendee, information technology'due south clear that there'south nothing quite like a alive functioning — the feeling of actors, dancers, musicians and other artists performing right in front of your eyes in a communal infinite. However, there are many outstanding stage-to-film adaptations that bring the magic of live theater into your living room. We've rounded up fifteen of the all-time phase-to-film adaptations to celebrate World Theater Day.

Hamlet (1996)

Transferring a play that's every bit iconic as William Shakespeare'southward Hamlet to the screen is no easy task, only Kenneth Branagh managed to pull it off rather well back in 1996. Branagh both directed and starred in the 4-60 minutes long motion-picture show adaptation, which was among the first to ever employ the play's full, unabridged text.

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Although Branagh's Hamlet was updated to take place in the 19th century, the four-time Oscar nominated picture otherwise stays true to the enduring story of Denmark's brooding prince. Other greats, such as Kate Winslet, Julie Christie, Judi Dench and Robin Williams, fill out the ensemble.

Written and directed by Barry Jenkins, the coming-of-historic period drama Moonlight is based on Tarell Alvin McCraney'southward unpublished play In Moonlight Black Boys Look Blue. Taking from its stage roots, Jenkins' film is told in three parts, each representing a different phase in the main graphic symbol Chiron's (Trevante Rhodes, Ashton Sanders and Alex Hibbert) life and explores his struggles with sexuality, identity and past corruption.

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Oftentimes, Moonlight is heralded as 1 of the all-time films of the 21st century. The film won tiptop prizes at both the Gilded Globes and the Oscars and nabbed additional Oscars for Best Adapted Screenplay and Best Supporting Player for Mahershala Ali, who plays Chiron's father figure. By exploring the intersections of masculinity, queerness and Blackness, Moonlight, as the Los Angeles Times' Justin Chang puts it, is both "achingly romantic and exceptionally wise."

In one case (2007)

In 2008, an indie Irish musical fabricated a marker on the Oscars by nabbing the University Award for Best Song. At present, Once (2007) feels like a classic — in both its film and phase formats. The picture stars singer/songwriter Glen Hansard and Markéta Irglová, who play struggling musicians in Dublin.

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Hansard's 30-something busker plays guitar by nighttime, but fixes vacuums by twenty-four hour period, all of which leads him to see Irglová's graphic symbol. Eventually, he teaches her one of his songs, the Oscar-winning "Falling Slowly" — and, let'due south just say, this raw, wrenching film will leave y'all with a few tears in your eyes past the end.

Fences (2016)

American playwright August Wilson has been referred to equally the "theater'due south poet of Blackness America," having penned classics such every bit Ma Rainey's Black Bottom (1984), Fences (1984), The Piano Lesson (1987). While the latter two plays both received the Pulitzer Prize for Drama, Fences as well earned a Tony Honour for All-time Play.

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If you missed Fences on phase, you can nonetheless watch the critically acclaimed pic adaptation, which stars Academy Award winners Denzel Washington and Viola Davis. Fix in 1950s Pittsburgh, the motion-picture show (and play) centers on Troy Maxson (Washington), a sanitation worker who dreamed of condign a professional baseball player, simply to be called also onetime when Major League Baseball (MLB) began admitting Black athletes. Troy carries this frustration with him for years — and we see the manner that impacts non simply him, but his son as well.

The four-time Oscar nominated film truly stands out equally a great stage-to-screen accommodation. And, if y'all desire to come across another August Wilson play on the screen, check out Davis' incredible operation in the recent accommodation of Ma Rainey's Black Bottom (2020), which also stars the tardily Chadwick Boseman.

Hedwig and the Aroused Inch (2001)

Based on John Cameron Mitchell and Stephen Trask's 1998 musical Hedwig and the Angry Inch, Mitchell adjusted, directed and starred in this beloved film version. The story centers on Hedwig Robinson, a genderqueer Due east High german rock singer who develops a relationship with Tommy, a musical collaborator and mentor. Tommy ends upward stealing Hedwig'southward music — and becomes a bonafide rockstar, while Hedwig, and backing band the Aroused Inch, shadow Tommy'south tour.

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Role stone show, part exploration of Hedwig's past and complex gender identity, the film succeeds considering Mitchell is such a powerhouse. His piece of work in Hedwig defines what information technology means to requite a Performance, capital "P." The testify's most well-known vocal, "The Origin of Dearest," retells a myth mentioned in Plato's Symposium, about two-face up and iv-armed and -legged humans being crevice in two by aroused gods — but to yearn and search for their other halves. That sort of raw, unrestrained and central searching undergirds Hedwig'southward experiences with dear and cocky.

Who's Afraid Of Virginia Woolf? (1966)

Written past iii-time Pulitzer Prize-winner and two-time Tony-winner Edward Albee, Who's Afraid Of Virginia Woolf? was first staged in 1962. Told in iii acts, information technology's a whopping three hours long on stage, which is, well, kind of a lot. Perhaps surprisingly, though, audiences flocked to the stage to see information technology.

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A few years afterwards, the Tony-winning play was adapted into a film starring Richard Burton, Elizabeth Taylor, George Segal and Sandy Dennis. In both versions, a middle-aged couple George (Burton) and Martha (Taylor) draw a younger couple, Nick and Honey (Segal, Dennis), into their bitter, argument-riddled dynamic. Nominated for 13 Oscars — and winning five, including Best Actress — Who's Afraid Of Virginia Woolf? was groundbreaking at the time with its profanity, dark humor and incisive look at marriage.

Chicago (2002)

The 2002 movie adaptation of the 1975 musical Chicago is i of those movies you'll dear even if you aren't usually into musicals. Information technology's bold and big — and, for many, the moving picture is really the definitive version.

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The story follows the tale of two women murderers who find themselves on death in 1920s Chicago. The 2 develop a rivalry as they compete for the fame they promise will relieve them from the gallows. A mixture of dark comedy, killer music, and incredible dancing, Chicago stars Catherine Zeta-Jones, Renee Zellweger, and Richard Gere. The film swept the 2003 Academy Awards, scoring six Oscars, including Best Picture — and, if yous tune in, yous'll see why. It really is all that jazz.

Pass Over (2018)

Playwright Antoinette Chinonye Nwandu struck gilt when she wrote Pass Over, a play inspired by Samuel Beckett's Waiting for Godot. The story revolves around a pair of young Black men as they laissez passer the 24-hour interval on a street corner, hoping that peradventure today will be unlike than all the rest.

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In 2018, Spike Lee turned the play into an equally hit pic starring Jon Michael Colina and Julian Parker. What we love nearly about this accommodation of Laissez passer Over is how it brings that sense of the stage to your Boob tube; yes, it is a filmed play, but it pulls off the beats of theater surprisingly well — and that isn't easy to translate. Deeply thoughtful and timely, Lee'south adaptation captures everything from the poesy to humor to the urgency of Nwandu's original piece of work.

Doubt (2008)

The 2008 film accommodation of Uncertainty is based on John Patrick Shanley's Pulitzer Prize- and Tony Award-winning play of the same name. The story takes place at a Catholic schoolhouse in 1964; Donald Miller, the school'south first Black educatee, has just been admitted, possibly due in part to Father Flynn's (Phillip Seymour Hoffman) enthusiasm for creating a more inclusive school.

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Even so, Sister Aloysius (Meryl Streep) isn't also corking on change. When a younger nun (Amy Adams) shares her suspicions that Father Flynn is abusing Donald, Sister Aloysius seizes the opportunity to betrayal Father Flynn and expel him from the school. However, Sister Aloysius doesn't have a lot of concrete evidence, leaving room for that titular feeling. Donald'south mother is played by Viola Davis, and all four of the chief cast members — Streep, Davis, Adams and Hoffman — received Oscar nominations for their incredible performances.

Glengarry Glen Ross (1992)

Glengarry Glen Ross is a 1984 Pulitzer Prize-winning play penned by renowned playwright David Mamet. The story revolves around a group of employees at a New York City real-manor part who are told that all but two of them will be fired at the end of the week.

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As y'all might imagine, things become rather intense rather apace. Nosotros don't want to spoil annihilation, but but know that the 1992 picture adaptation, which features a powerhouse bandage — Al Pacino, Jack Lemmon, Alec Baldwin, Ed Harris, and Alan Arkin — is well worth the watch.

Wit (2001)

Written by Margaret Edson, Wit is a comedy play that won the 1999 Pulitzer Prize for Drama. While the play may be slimmer than some of the others on this list, it's i of the most raw and wrenching. On phase, both Kathleen Chalfant (1997 production) and Cynthia Nixon (2012 production) received acclaim for their portrayals of Dr. Vivian Bearing, and, on film, Emma Thompson earned simply equally much praise.

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The brusque play focuses on Vivian's final hours equally she dies of ovarian cancer. The former English professor reflects on her life through the lens of the English linguistic communication and, most notably, the sonnets of metaphysical poet John Donne. Observant and intelligent, Wit is an emotionally draining experience, simply it certainly captures the intensity of alive theater.

A Streetcar Named Desire (1951)

Known for iconic works similar The Glass Menagerie (1944) and Cat on a Hot Tin Roof (1955), Tennessee Williams is touted as ane of the greatest American playwrights of all time. Ane of his most well-regarded works is the Pulitzer Prize-winning A Streetcar Named Want (1947). And, undoubtedly, information technology's 1951 film adaptation is one of the best stage-to-screen triumphs in motion picture history.

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Streetcar centers on Blanche DuBois (Vivien Leigh), a southern belle who leaves her old life behind after a series of personal losses and heads to New Orleans to alive with her sister, Stella (Kim Hunter), and brother-in-law, Stanley (Marlon Brando), in a battered apartment building. Winning iv of the 12 Academy Awards it was nominated for, Streetcar is so skillful because it does what other adaptations fail to do.

As New York Times critic Bosley Crowther stated, "inner torments are seldom projected with such sensitivity and clarity on the screen," just Leigh and Brando manage to capture it all, bringing the raw emotion of the stage to the screen — flawlessly.

Mamma Mia! (2008)

Here we go again, right? Look, 2008 was a standout year for Meryl Streep-helmed phase-to-film adaptations. Non to mention, between Incertitude and Mamma Mia!, Streep really underscored her range. As you may know, this jukebox musical-meets-rom-com is based on the 1999 Broadway musical of the aforementioned name and filled with songs by pop grouping ABBA.

Photograph Courtesy: Universal Pictures/IMDb

If you don't already know, the plot revolves around Sophie (Amanda Seyfried) and her mom, Donna (Streep). As Sophie prepares for her wedding, she discovers her mother's old journal, which details iii flings from i pretty heady summertime. The helpmatehoped-for is convinced that ane of the 3 men in Donna's journal is her male parent, and invites all iii men — Colin Firth, Stellan Skarsgård, and (for amend or worse) Pierce Brosnan — to her wedding, without telling her mom. Needless to say, hilarity ensues.

Plus, ABBA has enough of hits — "Dancing Queen," "South.O.S.," "Waterloo," "The Winner Takes It All," the titular "Mamma Mia" and many, many more — which makes this musical an absolute barrel of fun. Just endeavour to resist singing forth with Donna and her longtime pals (played by Christine Baranski and Julie Walters); spoiler — y'all won't exist able to, trust us.

West Side Story (1961)

Some films just never go out of style. Such is the case with the 1961 film adaptation of West Side Story, a musical originally written for the stage by Arthur Laurents. Featuring music by Leonard Bernstein and Stephen Sondheim, Due west Side Story is basically a retelling of Romeo and Juliet, but set in the '50s.

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In the film, a New York City gang member named Tony (Richard Beymer) finds himself falling in dearest with Maria (Natalie Woods). The merely trouble? The 2 are aligned with rival Upper West Side gangs — the Jets, the white New Yorkers, and the Sharks, the Puerto Rican New Yorkers. Earning 10 Oscars, including Best Picture, Due west Side Story's characters, musical numbers and dance sequences are indelible for a reason. Non to mention, it features a breakout performance from EGOT-winning legend Rita Moreno.

Lady Day at Emerson'south Bar and Grill (2016)

Originally, Lady Solar day at Emerson'due south Bar and Grill was staged in Atlanta, Georgia in 1986. But it was the 2014 Broadway revival, directed past Lonny Cost and starring Broadway icon Audra McDonald, that left an indelible mark. In the play, McDonald stars every bit Billie Holiday, who is performing in a run-downwardly bar in Philadelphia. Fix in 1959, these performances are meant to be some of Holiday's last before her death.

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Accompanied by Jimmy Powers (Shelton Becton) on the piano, Holiday recounts stories from her personal life and career. Singing everything from "When a Adult female Loves a Human" and "Foreign Fruit" to "Easy Livin,'" McDonald gives a powerhouse performance, capturing both the ache and power of Holiday.

The phase version earned McDonald a history-making sixth Tony Award and, in 2016, the HBO broadcast of her performance garnered her an Emmy nomination. Undoubtedly, Lady Mean solar day at Emerson's Bar and Grill proves that more iconic Broadway performances should be preserved on picture show.

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